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FOR IMMEDIATE
RELEASE
With a strong passion
for art, Absolute Art gallery will present a variety of excellent
contemporary artists working in many different styles and media. The
gallery will act as go-between classical and modern, human and natural,
historical and realistic, and stimulate conversation of such issues
in order to provide a window of communication for art enjoyment and
appreciation, and to increase dynamic cultural activities for our
families, friends, and the community. The exhibition opens February
3rd and runs through 28th, 2004. Judith J. Tanzman's
work has evolved over the last 25 years, like the slow erosion of
her recent landscape subjects.
Her focus has shifted from internal to external, from examinations
of the human figure and family history to desolate outdoor spaces. ÒInfrared light
is to the environment as silence is to the emotion,Ó Judith said. Two things remain constant:
the inward journey her work takes her where she trying to balance
the physical, intellectual and spiritual selves; and her consuming
process of manipulating light, perception and even photographic chemistry. Judith's been experimenting
on a series of large-scale photos she calls 'Terra Mortui.' She fully
immerses herself in a site, returning at different times of the day,
month, and year to study the constantly changing details and shimmering,
silvery light. She uses
infrared, black and white film, which, like the environments she shoots,
is fragile when exposed to light and the elements.
The film produces a grainy, "charcoal sketch" quality
with a layer of light that emanates from the surface. ÒI carefully
select images that capture "the spirit" of the past and
destructive temperament of the present.
Yet the finished work transcends the stench and decay and reveals
the ethereal qualities and surreal beauty so often over-looked.
Thereafter, these images become fossils of time, past and present,
taken out of the context of reality.Ó In recent years Judith's
been drawn to ephemeral landscapes located just hours outside the
city limits. In the disconcerting
silence of these shifting and eroding places, She photograph the remains
of abandoned ecosystems and built environments gone terribly wrong. While sites like Death Valley invite photographers
to capture the vast scale or exquisite land formations, 'I'm more
interested in the sculptures that emerge and coexist among the skeletal
remains of mining towns like Rhyolite, Nevada. Or at the Salton Sea, with its noxious stench and the crunch
of decaying fish and birds under foot,' And, 'I'm more fascinated
by the fish that surface, imprisoned by the murky, muddy and oily
waters, only to disappear.' ÒAshes to AshesÓ
is another series that captures the rebirth of the spirit emerging
from the fragile temperament of natural and human existence, in its
depths and emotions the very essence of the spiritual and the physical
can be found. Rhonda L. Wilson,
another contemporary photographer with strong artistic intuition,
is always seeking of visual information of the world: ÒSTRONG FORM
IN BEAUTIFUL LIGHTÉSo simple. So magical. Yet so defining. The essence
of everything I want in my images. This is the 'IT' I seek.' Rhonda found the
real definition of 'form,' the feature of the two opposites of light
and shadow, the shape structure and design of any create form where
none existed before and a simple form made outstanding with beautiful
light can make even the most mundane thing look exceedingly beautiful.
She responds to the rhythms of the lines and the gradations of the
light. She was attracted by a natural tension between the shadows
and the light. This tension is a drama of conflicting forces that
adds a certain distinctive quality that gives pleasure to her senses.
'I want your to see the beauty and the value in the these seemingly
unremarkable scenes. I want to make compelling to you what I am compelled
to see and feel. I want to awaken you senses as mine are awakened.
I want you to have the joy of discovery as I do.' The opening reception
will be held from 6-9 PM on Saturday, February 7th, 2004
and will be open to the public. |
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