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FOR IMMEDIATE
RELEASE
With a strong passion
for art, Absolute Art gallery will present a variety of excellent
contemporary artists working in many different styles and media. The
gallery will act as go-between classical and modern, human and natural,
historical and realistic, and stimulate conversation of such issues
in order to provide a window of communication for art enjoyment and
appreciation, and to increase dynamic cultural activities for our
families, friends, and the community. The exhibition opens December
6, 2003 and runs through January 17, 2004. The series of ala
poupee etchings (the colored ink is put directly on the plate) entitled
"Scratched Negatives", Jacobs began to work with vintage
photographs she found in a thrift store. As she examined these old,
faded photographs, she noticed how often people posed in front of
their cherished possessions Ð their homes and their automobiles. She
also wondered why these photographs were abandoned rather than cherished. Jacobs' work begins
to move inexorably towards abstraction with the next series of hand-colored
etchings from the ÒTopologyÓ series, based on aerial views taken from
a hot air balloon in France. The distinct format Jacobs uses in these
landscapes Ð one of them is a long, horizontal and panoramic view
with the horizon visible. The soft focus panoramic etchings fuse sky
and ground in a dreamy way. The unusual perspective creates a landscape
reminiscent of pieced quilts and Abstract-Expressionist paintings.
Unlike the ÒScratched NegativesÓ series, which are visually, conceptually
and narratively complex, these small scale and intimate works, with
their gentle earth tones and rounded forms are simply elegant and
peaceful gems. In the "Letters
of Law" series, Jacobs questions the semblance of data and truth,
as represented in words and numbers. Her large works, surprisingly,
are made from unstretched, crumpled canvases that have been slathered
with layers of paint, the backdrop against which stenciled letters
and numbers assert themselves. Lynn Welker's
water media paintings often join abstract shapes with recognizable
form. Representational as well as non-representational works are composed
from an intuitive, imaginative process. Each painting conveys its
message through the use of a unique quality of color and design utilizing
simplicity in a creative manner, architectural, and human form are
included in WelkerÕs original, spontaneous compositions. Working
exclusively with water media on paper or canvas, bold washes of pigment
are applied. With a broad concept in mind, the painting begins to
develop. The optional use of watercolor, acrylic, gouache, texture
medium, and/or collage allows a freedom to be creative. During the
process, design plays a most important roll along with color and texture. "I
am compelled to go beyond the literal world of representational
art. Through the conscious and constructive use of design and
color, painting becomes an unexpected surprise, a fresh new way
of seeing, challenging my intellect as well as the viewer's."
said,
Lynn Welker
. Living in Southern
California, Lynn Welker successfully balances her career in fine art
by painting and teaching. A graduate of the University of Cincinnati,
College of Art and Design, her paintings has garnered many awards
and are included in private and public collections across the country
as well as in Europe. Recently, the San Bernardino County Museum purchased
her painting ÒDrawn Into LightÓ to be included with its permanent
collection. The opening reception
will be held from 6-9 PM on Saturday, December 6, 2003 and will be
open to the public. |
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